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SUMMARY:Fat Oyster Writing Workshops
URL:http://www.harbourliving.ca/event/fat-oyster-writing-workshops/
LOCATION:Fanny Bay Community Hall :: 7793 Island Highway Fanny Bay, 
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:<p>3 Fat Oyster Writing Workshops&nbsp; $25 each or 3 for $60 Hey Baby&hellip;. Yeah, I mean you, gorgeous.</p>=0D=0A=
<p>10:00 &ndash; 12:00 You need a seductive line, paragraph, and first chapter, to lure a reader in -- and that&rsquo;s difficult enough -- but how do you know what the beginning of your story really is? Often, upon revision, a writer will discover the good stuff doesn&rsquo;t start until page 17.&nbsp;</p>=0D=0A=
<p>The workshop Hey Baby will address both of these issues, first from the perspective of wrestling with the entire narrative &ndash; and then in making the opening lines irresistible; grab that reader by the lapels and shake!</p>=0D=0A=
<p>Presenter: Bernice Friesen&rsquo;s third book The Book of Beasts was a finalist for the Rogers Writers Trust of Canada Fiction Award, was a Globe and Mail&rsquo;s top 100, and won the Saskatchewan Book Award for Fiction in 2007. Her awards include the Vicky Metcalf Award for best young adult short story in Canada. She&rsquo;s the executive editor of Rhubarb Magazine.She writes an exhibition blog called Revisionary at https://bernicefriesen.wordpress.com &nbsp;</p>=0D=0A=
<p>The Monster Children of Prose Poetry 1:00 &ndash; 3:00 Charles Simic says that prose poetry is &ldquo;the monster child of two incompatible strategies, the lyric and the narrative.&rdquo; I think it&rsquo;s the tension between those impulses that energizes prose poems, which are basically poems without the line breaks, written as short blocks of text. This form can allow writers to follow a thread of thought more directly, without particular regard for simile, metaphor or other poetic conventions. I liken them to small windows that frame a part of a day, or daydream. The instructor (me) will bring prompts to stimulate writing, and I ask participants (you) to bring a children&rsquo;s picture book with a small mystery in it that you would like to explore. (Go to the library and hang out in kids' books!) We&rsquo;ll write prose poems together, share fragments of text to discuss, and write some more. &nbsp;</p>=0D=0A=
<p>Presenter:&nbsp;Cornelia Hoogland has published 6 books of poetry. Woods Wolf Girl, was one of five finalists for the Relit Best Book of 2011 Award. &ldquo;Sea Level&rdquo; was short-listed for the CBC Nonfiction Literary Awards. Robert Wiersma awarded Hoogland 1st place in the Nanaimo Arts Council fiction contest in 2013. Her local activities include Poetry* Hornby Island, which is also where she lives with her husband and dog. &nbsp; Breathe Life into Characters&nbsp;</p>=0D=0A=
<p>3:00 -5:00 Character is the life force from which springs the narrative in both fiction and creative non-fiction. &nbsp;A well-drawn character lingers in the mind of the reader after the book is closed. Think Jay Gatsby, Miss Havisham, Ebenezer Scrooge. We&rsquo;ll look at ways to find characters, to know them well and to convey them in a compelling way. Characters drive story and if you want your reader along for the ride, learn to imbue your characters with the energy needed to bring the story home.&nbsp;Come with pen and paper and a character in mind.</p>=0D=0A=
<p>Presenter: Judy LeBlanc has been published in a number of literary magazines. &nbsp;She recently won the Islands Short Fiction contest and in 2013 was longlisted for the CBC short story prize. She won The Antigonish Review&rsquo;s 2012 Sheldon Currie Fiction contest. and has a collection of short stories coming out with Oolichan Press in Fall, 2016. Judy is the co-founder and coordinator of the Fat Oyster Reading Series and lives in Fanny Bay. She teaches writing at North Island College. &nbsp; &nbsp; &nbsp;</p>
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