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SUMMARY:Arts and Humanities Colloquium Series: "The importance of being Seamus: Heaney as local and global poet."
URL:http://www.harbourliving.ca/event/arts-and-humanities-colloquium-series-the-importance-of-being-seamus-heaney-as-local-and-global-poet54/
LOCATION:Malaspina Theatre at Vancouver Island University :: 900 5th Street Nanaimo, V9R 5S5
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:<p>In Ireland in 1964, Timothy Brownlow, now VIU Professor Emeritus from the English Department, became co-editor of a literary magazine called The Dubliner (The Dublin Magazine from 1965). As Brownlow later commented, the goal was &ldquo;to help keep the flame of Irish writing alive&rdquo; in a period that was still largely inhospitable to the arts. Among the many writers that he and co-editor Rivers Carew published there was one whom Brownlow remembers particularly well. This was a young poet from the North, Seamus Heaney.</p>=0D=0A=
<p>Heaney's work and his significance in English-language poetry will be the subject of Professor Brownlow's talk. Heaney, who died in 2013, became a significant literary figure. The American poet Robert Lowell once described Heaney as &ldquo;the most important Irish poet since Yeats.&rdquo; Heaney went on to win the Nobel Prize in 1995 and, says Brownlow, &ldquo;created a readership for poetry not known since Tennyson.&rdquo; For Timothy Brownlow, it has been fascinating watching the upward trajectory of Heaney&rsquo;s career.</p>=0D=0A=
<p>Heaney was born in April 1939. His father owned and worked a small farm of some fifty acres in County Derry in Northern Ireland. Many of his mother&rsquo;s family were employed in the local linen mill and an aunt had worked "in service" to the mill owners' family. Heaney&rsquo;s parentage thus contained both the Ireland of the cattle-herding Gaelic past and the Ulster of the Industrial Revolution. Heaney grew up as a country boy, and even though his life was a series of moves farther and farther away from his birthplace, County Derry remained at the heart of much of his poetry. He began writing when he was a young teacher in Belfast in the early 1960s and soon started to attain public attention. He was associated with a group of poets who were later considered a "Northern School" within Irish writing. Heaney was part of a society deeply divided religiously and politically, a society fated to endure a quarter-century of violence and polarization during the Northern Ireland conflict (known as The Troubles in Ireland). &ldquo;This had the effect not only of darkening the mood of Heaney's work in the 1970s, but also of giving him a deep preoccupation with the question of poetry's responsibilities and prerogatives in the world.&rdquo; As Heaney wrote and published, his work became increasingly well known. Honour and international fame followed.</p>=0D=0A=
<p>Timothy Brownlow, too, was born in Ireland. He left for Canada in 1970 and embarked on a doctorate at York University in Toronto. He expected to return to Ireland or England after his graduate work had been completed, but, he later said, Canada &ldquo;released many of my hidden energies.&rdquo; Dr. Brownlow taught at VIU from 1992 to 2006. He is also an accomplished writer whose publications include a scholarly book on John Clare (Oxford University Press, 1983); a collection of poems (Oolichan Books,1998); a book of essays (Oolichan Books, 2008); and numerous reviews, articles, and poems in Ireland, England, the U.S., and Canada.</p>=0D=0A=
<p><a href="https://www2.viu.ca/artsandhumanities/Arts_Humanities_Colloquium.asp">https://www2.viu.ca/artsandhumanities/Arts_Humanities_Colloquium.asp</a></p>=0D=0A=
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